Just as important as the legs is a great head. Make sure it has a central column where you can hang some weight and make it even sturdier. For product photography, you want a solid tripod. Forget anything you’ve read about travel tripods, lightweight tripods, or anything like that. A good 24-105mm or equivalent on a crop sensor can come in handy in an unusual situation or whenever you’re feeling creative. A Versatile ZOOM lensĪlthough prime lenses are sharper and more often used for product photography, it is never a bad idea to have a zoomable lens laying around your bag. You should have at least one macro lens in your product photography equipment list. You can use it as a 50mm field of view as well. The 60mm will be good on a full-frame camera as well if you want to shoot from a tabletop view, enlarging the product for those hero shots. or equivalent will suit you just as well. I use a full-frame camera, so remember as mentioned above: if you use a cropped sensor camera… The 60mm Macro Sigma has options for all the various camera mounts and will be more affordable and but still excellent alternates to native glass. If I had to choose only one to last in my bag, this would be the one. This is the lens I use to shoot 85% of all my product photography work. Two or three lenses will cover pretty much everything you need. And guess what? Not even a pro needs a bunch of them. I have a 15-year-old lens and it works like a charm.ĭon’t be scared, you won’t need a bag full of lenses to start your photography business. I would spend most of my budget on lenses, and the good thing is that they will last a lifetime if you take care of them. Your client wants to see their product as sharp and beautiful as possible. All the other brands have similar systems. Canon has EF-S mount for cropped size sensors, EF mount for their full-frame DSLR line, and RF mount for their mirrorless system such as the Canon EOS R. Remember that every manufacturer has different lenses for its proprietary mounts. Cameras such as Canon T7i has a crop factor of 1.6x, so if you put a lens like the Canon EF-S 60mm f/2.8 Macro USM Lens, it will work as a 96mm, which is pretty close to a Canon EF 100mm f/2.8L Macro IS USM Lens mounted on a full-frame camera like Canon EOS 5D Mark IV. You can make great photography with both. There are plenty of different sensor sizes on the market, but as long as you keep the crop factor in mind when choosing your lenses, it won’t be a problem. You can find everything about tethering in this article. Any modern camera will have the ability to shoot tethered (which you want to do as it’ll save you a lot of time) and make you see all the details on your product shots. For many applications, the ability to trigger external flashes, either through a hot shoe or a sync port, is a must. Going for something around 20MP - 24MP is a good starting point. Going through all possibilities here is not effective at all as all of them will have pros and cons. Cameras - Millions of choicesĪ camera to start shooting product photos is simple: preferably it has the ability to change lenses, but it doesn’t matter if it's a DSLR or a Mirrorless camera. Spending a little more on camera, lenses, and a tripod will prevent you from buying again in the future. You can start your photography on a budget and get just the right equipment to deliver clients with great product images. It also folds into a small rectangle and immediately pops back out into its cube shape when you’re ready to use it again.The Triple Crown - Camera, Lenses, and Tripod You can either place your lens through a front slit or remove the door for a wider angle. Made of a translucent fabric, it casts beautiful, soft light on interior objects while eliminating reflections. If you prefer to use your own light sources, we like Neewer’s cube, which excels at filtering light. The cube is sturdy and feels like it will last for years. Or, set up the fourth wall and shoot through a flap. You can also shoot from multiple angles: straight ahead or through a hole in the ceiling. These line the ceiling to evenly distribute light, and a control dial gives you complete control over the brightness, which changes seamlessly. Plus, the cube features built-in LED lights, so you only have to plug it in to use it. Setup is easy, as it consists of a single piece with collapsible walls that attach via Velcro. ESDDI’s lighting booth is an impressive mid-range box with features that will satisfy a wide range of needs.
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